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About About Meet the people responsible for your haunted and haunting, gender-inclusive story time.

 

Maika (they/xe) Literature Procurer, Editor, and Narrator

Photo by Emma Wondra Photography

Why are these things always so difficult to write? And why are they usually written in the third person? Why am I stalling? This is the About page, so let’s give it a go… 

I was born in Amsterdam and grew up in Chicago. Twin Peaks lured me to the PNW in 2001, where I’ve resided ever since. I’m a neurospicy bibliophile, writer, photographer, narrator, and liminal shade, more at home in and among in-betweens than anywhere else. And I would rather be reading, writing, or playing with any of my cameras than talking about myself. 

I firmly believe that there is no such thing as too many books (or comics), to say nothing of John Waters’ very sound advice about them.

I have always been captivated by the inherent beauty of memento mori and how, when one pauses to consider it, so many things embody poignant reminders of how fragile and tenuous life is, how ephemeral we all are. I collect old photos, books, art, and all manner of natural specimens that conjure for me that singular combination of wonder and melancholy. And, whenever possible, I prefer to leave cobwebs exactly as they are. I’m a memento mori magpie surrounded by a soft septet of cats, to say nothing of the phantom felines I often glimpse from the corner of my eye.

Years of working for Refuge in Grief, not to mention growing up as a queer, trans, nonbinary, neurodivergent person, have taught me to be mindful of how many ways a person’s lived reality may not match their outward appearance. Kindness and empathy can save lives. That being said, trans rights are human rights and ACAB.

I’m an intermittent contributor on S. Elizabeth’s marvelous blog Unquiet Things, and I was a staff writer for the online magazine aspect Haute Macabre from 2016 until its conclusion in 2021. 

I created the Liminal Flares podcast because the only thing better than reading or listening to haunted and haunting stories, is when those stories don’t make anyone feel invisible or inconsequential because of their gender. 

Listen to Episode 1, “A Prelude at the Threshold,” to learn more about me, why I created this show, and what I hope to accomplish with it. You can find me on Mastodon, Bluesky, or Tumblr.

Meredith Yayanos – Composer & Audio Engineer

Violinist, thereminist and vocalist Meredith Yayanos (mer/she/they) is creator and director of The Parlour Trick, “a haunted chamber music project and ongoing countercultural seance” founded in the early aughts. As both a session player and a touring performer, Mer’s work is informed by lifelong study of classical, folk, and experimental music. She has collaborated with a wide variety of artists: Faun Fables, Rachel Brice, Kristine Barrett, Zoe Keating, David J, Jill TracyLITVAKdance, Jarboe, Edison Woods, Feminazgul, Raz Mesinai, Scott Gendel, Dusty Paik, Christine Marie, AEAEA, Butch Morris, Love Life, The Walkmen, The Vanity Set, David Garland, Beats Antique, the Whatever Trio, and, most significantly to this podcast, fellow multi-instrumentalist Dan Cantrell

The Parlour Trick sound fuses baroque arrangements with varied folk traditions and electronic palettes to create a unique “uneasy listening” experience. Mer has scored several independent films, including The Narrative of Victor Karloch and The Mill at Calder’s End, two Victorian ghost story puppet films funded by the Jim Henson Foundation. 

Additionally, Mer was a co-founder and the acting editor-in-chief of Coilhouse Magazine and Blog, which ran from 2007 through 2012. Mer is a Gen X ride-or-die DIY punk and freshly out as genderqueer, which means that while they may screw up your pronouns from time to time, they’re even more likely to show up on the lawn with a baseball bat if the fash gives you any shit at all.

Artwork by Daniel Kern (find Daniel on IG @danielkernart)

Web Design by YourPlanB (home of SpookyInc.com and CoffinNotes.com)

Liminal Flares is an otherworldly podcast of eldritch literature amended to create spaces for those of us
outside the gender binary where there weren’t spaces before and normalize the use of gender-inclusive language for everyone.